vineri, 30 decembrie 2011

Leaning Tower of Pisa

       The Leaning Tower of Pisa (Italian: Torre pendente di Pisa) or simply the Tower of Pisa (Torre di Pisa) is the campanile, or freestanding bell tower, of the cathedral of the Italian city of Pisa. It is situated behind the Cathedral and is the third oldest structure in Pisa's Cathedral Square (Piazza del Duomo) after the Cathedral and the Baptistry.
       The height of the tower is 55.86 m (183.27 ft) from the ground on the low side and 56.70 m (186.02 ft) on the high side. The width of the walls at the base is 4.09 m (13.42 ft) and at the top 2.48 m (8.14 ft). Its weight is estimated at 14,500 metric tons (16,000 short tons). The tower has 296 or 294 steps; the seventh floor has two fewer steps on the north-facing staircase. Prior to restoration work performed between 1990 and 2001, the tower leaned at an angle of 5.5 degrees, but the tower now leans at about 3.99 degrees. This means that the top of the tower is displaced horizontally 3.9 metres (12 ft 10 in) from where it would be if the structure were perfectly vertical.
       A popular tourist activity is to pose for photographs pretending to "hold up" the leaning tower and preventing it from falling. The illusion is created through the principle of forced perspective.

    
        Construction of the tower occurred in three stages across 177 years. Work on the ground floor of the white marble campanile began on August 8, 1173, during a period of military success and prosperity. This ground floor is a blind arcade articulated by engaged columns with classical Corinthian capitals.
The tower began to sink after construction had progressed to the second floor in 1178. This was due to a mere three-metre foundation, set in weak, unstable subsoil, a design that was flawed from the beginning. Construction was subsequently halted for almost a century, because the Republic of Pisa was almost continually engaged in battles with Genoa, Lucca and Florence. This allowed time for the underlying soil to settle. Otherwise, the tower would almost certainly have toppled. In 1198 clocks were temporarily installed on the third floor of the unfinished construction.
        In 1272 construction resumed under Giovanni di Simone, architect of the Camposanto. In an effort to compensate for the tilt, the engineers built upper floors with one side taller than the other. Because of this, the tower is actually curved. Construction was halted again in 1284, when the Pisans were defeated by the Genoans in the Battle of Meloria.
        The seventh floor was completed in 1319. It was built by Tommaso di Andrea Pisano, who succeeded in harmonizing the Gothic elements of the bell-chamber with the Romanesque style of the tower. There are seven bells, one for each note of the musical major scale. The largest one was installed in 1655. The bell-chamber was finally added in 1372.
        After a phase (1990–2001) of structural strengthening, the tower is currently undergoing gradual surface restoration, in order to repair visual damage, mostly corrosion and blackening. These are particularly pronounced due to the tower's age and its exposure to wind and rain.

       There has been controversy about the real identity of the architect of the Leaning Tower of Pisa. For many years, the design was attributed to Guglielmo and Bonanno Pisano, a well-known 12th-century resident artist of Pisa, famous for his bronze casting, particularly in the Pisa Duomo. Bonanno Pisano left Pisa in 1185 for Monreale, Sicily, only to come back and die in his home town. A piece of cast with his name was discovered at the foot of the tower in 1820, but this may be related to the bronze door in the façade of the cathedral that was destroyed in 1595. However recent studies seem to indicate Diotisalvi as the original architect due to the time of construction and affinity with other Diotisalvi works, notably the bell tower of San Nicola and the Baptistery, both in Pisa. However, he usually signed his works and there is no signature by him in the bell tower which leads to further speculation.

     
      Galileo Galilei is said to have dropped two cannon balls of different masses from the tower to demonstrate that their speed of descent was independent of their mass. However, this is considered an apocryphal tale, its only source being Galileo's secretary.
During World War II, the Allies discovered that the Germans were using the tower as an observation post. A U.S. Army sergeant was briefly entrusted with the fate of the tower and his decision not to call in an artillery strike kept the tower from being destroyed.
Lead counterweights
       On February 27, 1964, the government of Italy requested aid in preventing the tower from toppling. It was, however, considered important to retain the current tilt, due to the vital role that this element played in promoting the tourism industry of Pisa.
A multinational task force of engineers, mathematicians and historians gathered on the Azores islands to discuss stabilisation methods. It was found that the tilt was increasing in combination with the softer foundations on the lower side. Many methods were proposed to stabilise the tower, including the addition of 800 tonnes of lead counterweights to the raised end of the base.
      In 1987 the tower was declared as part of the Piazza del Duomo UNESCO World Heritage Site along with the neighbouring cathedral, baptistery and cemetery.
      On January 7, 1990, after over two decades of stabilisation studies, the tower was closed to the public. The bells were removed to relieve some weight, and cables were cinched around the third level and anchored several hundred meters away. Apartments and houses in the path of the tower were vacated for safety. The final solution to prevent the collapse of the tower was to slightly straighten the tower to a safer angle, by removing 38 cubic meters (50 cubic yards) of soil from underneath the raised end. The tower was straightened by 45 centimeters (18 inches), returning to its 1838 position. After a decade of corrective reconstruction and stabilization efforts, the tower was reopened to the public on December 15, 2001, and was declared stable for at least another 300 years.
      In May 2008, after the removal of another 70 metric tons (77 short tons) of ground, engineers announced that the Tower had been stabilized such that it had stopped moving for the first time in its history. They stated it would be stable for at least 200 years.

Great Wall of China

   
       The Great Wall of China is a series of stone and earthen fortifications in northern China, built originally to protect the northern borders of the Chinese Empire against intrusions by various nomadic groups. Several walls have been built since the 5th century BC that are referred to collectively as the Great Wall, which has been rebuilt and maintained from the 5th century BC through the 16th century. One of the most famous is the wall built between 220–206 BC by the first Emperor of China, Qin Shi Huang. Little of that wall remains; the majority of the existing wall was built during the Ming Dynasty.
      The Great Wall stretches from Shanhaiguan in the east, to Lop Lake in the west, along an arc that roughly delineates the southern edge of Inner Mongolia. The most comprehensive archaeological survey, using advanced technologies, has concluded that all the walls measure 8,851.8 km (5,500.3 mi). This is made up of 6,259.6 km (3,889.5 mi) sections of actual wall, 359.7 km (223.5 mi) of trenches and 2,232.5 km (1,387.2 mi) of natural defensive barriers such as hills and rivers.


The early walls

Great Wall of the Qin Dynasty
Great Wall of the Han Dynasty
Great Wall of the Ming Dynasty
 
 
        The Chinese were already familiar with the techniques of wall-building by the time of the Spring and Autumn Period, which began around the 8th century BC. During the Warring States Period from the 5th century BCE to 221 BCE, the states of Qin, Wei, Zhao, Qi, Yan and Zhongshan all constructed extensive fortifications to defend their own borders. Built to withstand the attack of small arms such as swords and spears, these walls were made mostly by stamping earth and gravel between board frames.
Qin Shi Huang conquered all opposing states and unified China in 221 BCE, establishing the Qin Dynasty. Intending to impose centralized rule and prevent the resurgence of feudal lords, he ordered the destruction of the wall sections that divided his empire along the former state borders. To protect the empire against intrusions by the Xiongnu people from the north, he ordered the building of a new wall to connect the remaining fortifications along the empire's new northern frontier. Transporting the large quantity of materials required for construction was difficult, so builders always tried to use local resources. Stones from the mountains were used over mountain ranges, while rammed earth was used for construction in the plains. There are no surviving historical records indicating the exact length and course of the Qin Dynasty walls. Most of the ancient walls have eroded away over the centuries, and very few sections remain today. The human cost of the construction is unknown, but it has been estimated by some authors that hundreds of thousands, if not up to a million, workers died building the Qin wall. Later, the Han, Sui, and Northern dynasties all repaired, rebuilt, or expanded sections of the Great Wall at great cost to defend themselves against northern invaders.   The Tang and Song Dynasties did not build any walls in the region. The Liao, Jin, and Yuan dynasties, who ruled Northern China throughout most of the 10-13th centuries, had their original power bases north of the Great Wall proper; accordingly, they would have no need throughout most of their history to build a wall along this line. The Liao carried out limited repair of the Great Wall in a few areas however the Jin did construct defensive walls in the 12th century, but those were located much to the north of the Great Wall as we know it, within today's Inner and Outer Mongolia.



The Ming era

       The Great Wall concept was revived again during the Ming Dynasty in the 14th century, and following the Ming army's defeat by the Oirats in the Battle of Tumu in 1449. The Ming had failed to gain a clear upper hand over the Manchurian and Mongolian tribes after successive battles, and the long-drawn conflict was taking a toll on the empire. The Ming adopted a new strategy to keep the nomadic tribes out by constructing walls along the northern border of China. Acknowledging the Mongol control established in the Ordos Desert, the wall followed the desert's southern edge instead of incorporating the bend of the Huang He.
Unlike the earlier Qin fortifications, the Ming construction was stronger and more elaborate due to the use of bricks and stone instead of rammed earth. As Mongol raids continued periodically over the years, the Ming devoted considerable resources to repair and reinforce the walls. Sections near the Ming capital of Beijing were especially strong.
       During the 1440s–1460s, the Ming also built a so-called "Liaodong Wall". Similar in function to the Great Wall (whose extension, in a sense, it was), but more basic in construction, the Liaodong Wall enclosed the agricultural heartland of the Liaodong province, protecting it against potential incursions by Jurched-Mongol Oriyanghan from the northwest and the Jianzhou Jurchens from the north. While stones and tiles were used in some parts of the Liaodong Wall, most of it was in fact simply an earth dike with moats on both sides.
        Towards the end of the Ming Dynasty, the Great Wall helped defend the empire against the Manchu invasions that began around 1600. Even after the loss of all of Liaodong, the Ming army under the command of Yuan Chonghuan held off the Manchus at the heavily fortified Shanhaiguan pass, preventing the Manchus from entering the Chinese heartland. The Manchus were finally able to cross the Great Wall in 1644, after Beijing had fallen to Li Zicheng's rebels, and the gates at Shanhaiguan were opened by the commanding Ming general Wu Sangui, who hoped to use the Manchus to expel the rebels from Beijing. The Manchus quickly seized Beijing, and defeated both the rebel-founded Shun Dynasty and the remaining Ming resistance, establishing the Qing Dynasty rule over all of China.
In 2009, an additional 290 km (180 mi) of previously undetected portions of the wall, built during the Ming Dynasty, were discovered. The newly discovered sections range from the Hushan mountains in the northern Liaoning province, to Jiayuguan in western Gansu province. The sections had been submerged over time by sandstorms which moved across the arid region.
        Under Qing rule, China's borders extended beyond the walls and Mongolia was annexed into the empire, so construction and repairs on the Great Wall were discontinued. On the other hand, the so-called Willow Palisade, following a line similar to that of the Ming Liaodong Wall, was constructed by the Qing rulers in Manchuria. Its purpose, however, was not defense but rather migration control.



Visibility from space

Visibility from the moon

       One of the earliest known references to this myth appears in a letter written in 1754 by the English antiquary William Stukeley. Stukeley wrote that, "This mighty wall of four score miles in length (Hadrian's Wall) is only exceeded by the Chinese Wall, which makes a considerable figure upon the terrestrial globe, and may be discerned at the moon." The claim was also mentioned by Henry Norman in 1895 where he states "besides its age it enjoys the reputation of being the only work of human hands on the globe visible from the moon." The issue of "canals" on Mars was prominent in the late 19th century and may have led to the belief that long, thin objects were visible from space. The claim that the Great Wall is visible also appears in 1932's Ripley's Believe it or Not strip and in Richard Halliburton's 1938 book Second Book of Marvels.
The claim the Great Wall is visible has been debunked many times, but is still ingrained in popular culture.The wall is a maximum 9.1 m (30 ft) wide, and is about the same color as the soil surrounding it. Based on the optics of resolving power (distance versus the width of the iris: a few millimeters for the human eye, meters for large telescopes) only an object of reasonable contrast to its surroundings which is 70 mi (110 km) or more in diameter (1 arc-minute) would be visible to the unaided eye from the moon, whose average distance from Earth is 384,393 km (238,851 mi). The apparent width of the Great Wall from the moon is the same as that of a human hair viewed from 2 miles (3.2 km) away. To see the wall from the moon would require spatial resolution 17,000 times better than normal (20/20) vision. Unsurprisingly, no lunar astronaut has ever claimed to have seen the Great Wall from the moon.

Visibility from low earth orbit

       A more controversial question is whether the Wall is visible from low earth orbit (an altitude of as little as 100 miles (160 km)). NASA claims that it is barely visible, and only under nearly perfect conditions; it is no more conspicuous than many other man-made objects. Other authors have argued that due to limitations of the optics of the eye and the spacing of photoreceptors on the retina, it is impossible to see the wall with the naked eye, even from low orbit, and would require visual acuity of 20/3 (7.7 times better than normal).

Anecdotal reports

       Astronaut William Pogue thought he had seen it from Skylab but discovered he was actually looking at the Grand Canal of China near Beijing. He spotted the Great Wall with binoculars, but said that "it wasn't visible to the unaided eye." U.S. Senator Jake Garn claimed to be able to see the Great Wall with the naked eye from a space shuttle orbit in the early 1980s, but his claim has been disputed by several U.S. astronauts. Veteran U.S. astronaut Gene Cernan has stated: "At Earth orbit of 100 miles (160 km) to 200 miles (320 km) high, the Great Wall of China is, indeed, visible to the naked eye." Ed Lu, Expedition 7 Science Officer aboard the International Space Station, adds that, "it's less visible than a lot of other objects. And you have to know where to look."




Colloseum

      The Colosseum, or the Coliseum, originally the Flavian Amphitheatre (Latin: Amphitheatrum Flavium, Italian Anfiteatro Flavio or Colosseo), is an elliptical amphitheatre in the centre of the city of Rome, Italy, the largest ever built in the Roman Empire. It is considered one of the greatest works of Roman architecture and Roman engineering.
      Occupying a site just east of the Roman Forum, its construction started in 72 AD under the emperor Vespasian and was completed in 80 AD under Titus, with further modifications being made during Domitian's reign (81–96). The name "Amphitheatrum Flavium" derives from both Vespasian's and Titus's family name (Flavius, from the gens Flavia).
      Capable of seating 50,000 spectators, the Colosseum was used for gladiatorial contests and public spectacles such as mock sea battles, animal hunts, executions, re-enactments of famous battles, and dramas based on Classical mythology. The building ceased to be used for entertainment in the early medieval era. It was later reused for such purposes as housing, workshops, quarters for a religious order, a fortress, a quarry, and a Christian shrine.
       Although in the 21st century it stays partially ruined because of damage caused by devastating earthquakes and stone-robbers, the Colosseum is an iconic symbol of Imperial Rome. It is one of Rome's most popular tourist attractions and still has close connections with the Roman Catholic Church, as each Good Friday the Pope leads a torchlit "Way of the Cross" procession that starts in the area around the Colosseum.
       The Colosseum is also depicted on the Italian version of the five-cent euro coin.

       The Colosseum's original Latin name was Amphitheatrum Flavium, often anglicized as Flavian Amphitheater. The building was constructed by emperors of the Flavian dynasty, hence its original name, after the reign of Emperor Nero. This name is still used in modern English, but generally the structure is better known as the Colosseum. In antiquity, Romans may have referred to the Colosseum by the unofficial name Amphitheatrum Caesareum; this name could have been strictly poetic as it was not exclusive to the Colosseum; Vespasian and Titus, builders of the Colosseum, also constructed an amphitheater of the same name in Puteoli (modern Pozzuoli).
      The name Colosseum has long been believed to be derived from a colossal statue of Nero nearby (the statue of Nero was named after the Colossus of Rhodes)[citation needed]. This statue was later remodeled by Nero's successors into the likeness of Helios (Sol) or Apollo, the sun god, by adding the appropriate solar crown. Nero's head was also replaced several times with the heads of succeeding emperors. Despite its pagan links, the statue remained standing well into the medieval era and was credited with magical powers. It came to be seen as an iconic symbol of the permanence of Rome.
       In the 8th century, a famous epigram attributed to the Venerable Bede celebrated the symbolic significance of the statue in a prophecy that is variously quoted: Quamdiu stat Colisæus, stat et Roma; quando cadet colisæus, cadet et Roma; quando cadet Roma, cadet et mundus ("as long as the Colossus stands, so shall Rome; when the Colossus falls, Rome shall fall; when Rome falls, so falls the world"). This is often mistranslated to refer to the Colosseum rather than the Colossus (as in, for instance, Byron's poem Childe Harold's Pilgrimage). However, at the time that the Pseudo-Bede wrote, the masculine noun coliseus was applied to the statue rather than to what was still known as the Flavian amphitheatre.
        The Colossus did eventually fall, possibly being pulled down to reuse its bronze. By the year 1000 the name "Colosseum" had been coined to refer to the amphitheatre. The statue itself was largely forgotten and only its base survives, situated between the Colosseum and the nearby Temple of Venus and Roma.
The name further evolved to Coliseum during the Middle Ages. In Italy, the amphitheatre is still known as il Colosseo, and other Romance languages have come to use similar forms such as le Colisée (French), el Coliseo (Spanish) and o Coliseu (Portuguese).

         The Colosseum was used to host gladiatorial shows as well as a variety of other events. The shows, called munera, were always given by private individuals rather than the state. They had a strong religious element but were also demonstrations of power and family prestige, and were immensely popular with the population. Another popular type of show was the animal hunt, or venatio. This utilized a great variety of wild beasts, mainly imported from Africa and the Middle East, and included creatures such as rhinoceros, hippopotamuses, elephants, giraffes, aurochs, wisents, barbary lions, panthers, leopards, bears, caspian tigers, crocodiles and ostriches. Battles and hunts were often staged amid elaborate sets with movable trees and buildings. Such events were occasionally on a huge scale; Trajan is said to have celebrated his victories in Dacia in 107 with contests involving 11,000 animals and 10,000 gladiators over the course of 123 days.
During the early days of the Colosseum, ancient writers recorded that the building was used for naumachiae (more properly known as navalia proelia) or simulated sea battles. Accounts of the inaugural games held by Titus in AD 80 describe it being filled with water for a display of specially trained swimming horses and bulls. There is also an account of a re-enactment of a famous sea battle between the Corcyrean (Corfiot) Greeks and the Corinthians. This has been the subject of some debate among historians; although providing the water would not have been a problem, it is unclear how the arena could have been waterproofed, nor would there have been enough space in the arena for the warships to move around. It has been suggested that the reports either have the location wrong, or that the Colosseum originally featured a wide floodable channel down its central axis (which would later have been replaced by the hypogeum).
        Sylvae or recreations of natural scenes were also held in the arena. Painters, technicians and architects would construct a simulation of a forest with real trees and bushes planted in the arena's floor. Animals would be introduced to populate the scene for the delight of the crowd. Such scenes might be used simply to display a natural environment for the urban population, or could otherwise be used as the backdrop for hunts or dramas depicting episodes from mythology. They were also occasionally used for executions in which the hero of the story – played by a condemned person – was killed in one of various gruesome but mythologically authentic ways, such as being mauled by beasts or burned to death.


Today

      The Colosseum today is now a major tourist attraction in Rome with thousands of tourists each year paying to view the interior arena, though entrance for EU citizens is partially subsidised, and under-18 and over-65 EU citizens' entrances are free. There is now a museum dedicated to Eros located in the upper floor of the outer wall of the building. Part of the arena floor has been re-floored. Beneath the Colosseum, a network of subterranean passageways once used to transport wild animals and gladiators to the arena opened to the public in summer 2010.
      The Colosseum is also the site of Roman Catholic ceremonies in the 20th and 21st centuries. For instance, Pope Benedict XVI leads the Stations of the Cross called the Scriptural Way of the Cross (which calls for more meditation) at the Colosseum on Good Fridays.
     In 2011, Diego Della Valle founder of Tod's shoe firm, entered into an agreement with local officials to sponsor a €25 million restoration of the Colosseum. Work is planned to begin at the end of 2011 and take up to two and a half years.
         

Stonehenge

    Stonehenge is a prehistoric monument located in the English county of Wiltshire, about 2.0 miles (3.2 km) west of Amesbury and 8 miles (13 km) north of Salisbury. One of the most famous sites in the world, Stonehenge is composed of a circular setting of large standing stones set within earthworks. It is at the centre of the most dense complex of Neolithic and Bronze Age monuments in England, including several hundred burial mounds.
    Archaeologists believe the iconic stone monument was constructed anywhere from 3000 BC to 2000 BC, as described in the chronology below. Radiocarbon dating in 2008 suggested that the first stones were erected in 2400–2200 BC, whilst another theory suggests that bluestones may have been erected at the site as early as 3000 BC (see phase 1 below).
     The surrounding circular earth bank and ditch, which constitute the earliest phase of the monument, have been dated to about 3100 BC. The site and its surroundings were added to the UNESCO's list of World Heritage Sites in 1986 in a co-listing with Avebury Henge monument. It is a national legally protected Scheduled Ancient Monument. Stonehenge is owned by the Crown and managed by English Heritage, while the surrounding land is owned by the National Trust.
    Archaeological evidence found by the Stonehenge Riverside Project in 2008 indicates that Stonehenge could possibly have served as a burial ground from its earliest beginnings. The dating of cremated remains found on the site indicate that deposits contain human bone material from as early as 3000 BC, when the initial ditch and bank were first dug. Such deposits continued at Stonehenge for at least another 500 years.


     The Oxford English Dictionary cites Ælfric's 10th-century glossary, in which henge-cliff is given the meaning "precipice", a hanging or supported stone, thus the stanenges or Stanheng "not far from Salisbury" recorded by 11th-century writers are "supported stones". William Stukeley in 1740 notes, "Pendulous rocks are now called henges in Yorkshire...I doubt not, Stonehenge in Saxon signifies the hanging stones." Christopher Chippindale's Stonehenge Complete gives the derivation of the name Stonehenge as coming from the Old English words stān meaning "stone", and either hencg meaning "hinge" (because the stone lintels hinge on the upright stones) or hen(c)en meaning "hang" or "gallows" or "instrument of torture". Like Stonehenge's trilithons, medieval gallows consisted of two uprights with a lintel joining them, rather than the inverted L-shape more familiar today.
     The "henge" portion has given its name to a class of monuments known as henges. Archaeologists define henges as earthworks consisting of a circular banked enclosure with an internal ditch. As often happens in archaeological terminology, this is a holdover from antiquarian usage, and Stonehenge is not truly a henge site as its bank is inside its ditch. Despite being contemporary with true Neolithic henges and stone circles, Stonehenge is in many ways atypical – for example, at over 7.3 metres (24 ft) tall, its extant trilithons supporting lintels held in place with mortise and tenon joints, make it unique.


      Mike Parker Pearson, leader of the Stonehenge Riverside Project based at Durrington Walls, noted that Stonehenge appears to have been associated with burial from the earliest period of its existence:
Stonehenge was a place of burial from its beginning to its zenith in the mid third millennium B.C. The cremation burial dating to Stonehenge's sarsen stones phase is likely just one of many from this later period of the monument's use and demonstrates that it was still very much a domain of the dead.
— Mike Parker Pearson


   Stonehenge evolved in several construction phases spanning at least 1,500 years. There is evidence of large-scale construction on and around the monument that perhaps extends the landscape's time frame to 6,500 years. Dating and understanding the various phases of activity is complicated by disturbance of the natural chalk by periglacial effects and animal burrowing, poor quality early excavation records, and a lack of accurate, scientifically verified dates. The modern phasing most generally agreed to by archaeologists is detailed below. Features mentioned in the text are numbered and shown on the plan, right.



                              Before the monument (8000 BC forward)

        Archaeologists have found four, or possibly five, large Mesolithic postholes (one may have been a natural tree throw), which date to around 8000 BC, beneath the nearby modern tourist car-park. These held pine posts around 0.75 metres (2 ft 6 in) in diameter which were erected and eventually rotted in situ. Three of the posts (and possibly four) were in an east-west alignment which may have had ritual significance; no parallels are known from Britain at the time but similar sites have been found in Scandinavia. Salisbury Plain was then still wooded but 4,000 years later, during the earlier Neolithic, people built a causewayed enclosure at Robin Hood's Ball and long barrow tombs in the surrounding landscape. In approximately 3500 BC, a Stonehenge Cursus was built 700 metres (2,300 ft) north of the site as the first farmers began to clear the trees and develop the area.



Stonehenge 1 (ca. 3100 BC)

      Stonehenge 1. After Cleal et al.
    The first monument consisted of a circular bank and ditch enclosure made of Late Cretaceous (Santonian Age) Seaford Chalk, (7 and 8), measuring about 110 metres (360 ft) in diameter, with a large entrance to the north east and a smaller one to the south (14). It stood in open grassland on a slightly sloping spot. The builders placed the bones of deer and oxen in the bottom of the ditch, as well as some worked flint tools. The bones were considerably older than the antler picks used to dig the ditch, and the people who buried them had looked after them for some time prior to burial. The ditch was continuous but had been dug in sections, like the ditches of the earlier causewayed enclosures in the area. The chalk dug from the ditch was piled up to form the bank. This first stage is dated to around 3100 BC, after which the ditch began to silt up naturally. Within the outer edge of the enclosed area is a circle of 56 pits, each about a metre (3'3") in diameter(13), known as the Aubrey holes after John Aubrey, the 17th-century antiquarian who was thought to have first identified them. The pits may have contained standing timbers creating a timber circle, although there is no excavated evidence of them. A recent excavation has suggested that the Aubrey Holes may have originally been used to erect a bluestone circle. If this were the case, it would advance the earliest known stone structure at the monument by some 500 years. A small outer bank beyond the ditch could also date to this period.


                                       Stonehenge 2 (ca. 3000 BC)

     Evidence of the second phase is no longer visible. The number of postholes dating to the early 3rd millennium BC suggest that some form of timber structure was built within the enclosure during this period. Further standing timbers were placed at the northeast entrance, and a parallel alignment of posts ran inwards from the southern entrance. The postholes are smaller than the Aubrey Holes, being only around 0.4 metres (16 in) in diameter, and are much less regularly spaced. The bank was purposely reduced in height and the ditch continued to silt up. At least twenty-five of the Aubrey Holes are known to have contained later, intrusive, cremation burials dating to the two centuries after the monument's inception. It seems that whatever the holes' initial function, it changed to become a funerary one during Phase 2. Thirty further cremations were placed in the enclosure's ditch and at other points within the monument, mostly in the eastern half. Stonehenge is therefore interpreted as functioning as an enclosed cremation cemetery at this time, the earliest known cremation cemetery in the British Isles. Fragments of unburnt human bone have also been found in the ditch-fill. Dating evidence is provided by the late Neolithic grooved ware pottery that has been found in connection with the features from this phase.


Stonehenge 3 I (ca. 2600 BC)

Stonehenge from the heelstone in 2007 with the 'Slaughter Stone' in the foreground
Stonehenge at sunset in 2004
Stonehenge in the late afternoon in 2008.
Plan of the central stone structure today. After Johnson 2008
Fisheye image of Stonehenge showing the circular layout
 
 
       The north-eastern entrance was widened at this time, with the result that it precisely matched the direction of the midsummer sunrise and midwinter sunset of the period. This phase of the monument was abandoned unfinished, however; the small standing stones were apparently removed and the Q and R holes purposefully backfilled. Even so, the monument appears to have eclipsed the site at Avebury in importance towards the end of this phase.
       The Heelstone (5), a tertiary sandstone, may also have been erected outside the north-eastern entrance during this period. It cannot be accurately dated and may have been installed at any time during phase 3. At first it was accompanied by a second stone, which is no longer visible. Two, or possibly three, large portal stones were set up just inside the north-eastern entrance, of which only one, the fallen Slaughter Stone (4), 4.9 metres (16 ft) long, now remains. Other features, loosely dated to phase 3, include the four Station Stones (6), two of which stood atop mounds (2 and 3). The mounds are known as "barrows" although they do not contain burials. Stonehenge Avenue, (10), a parallel pair of ditches and banks leading 2 miles (3.2 km) to the River Avon, was also added. Two ditches similar to Heelstone Ditch circling the Heelstone (which was by then reduced to a single monolith) were later dug around the Station Stones.


Stonehenge 3 II (2600 BC to 2400 BC)

      During the next major phase of activity, 30 enormous Oligocene-Miocene sarsen stones (shown grey on the plan) were brought to the site. They may have come from a quarry, around 25 miles (40 km) north of Stonehenge on the Marlborough Downs, or they may have been collected from a "litter" of sarsens on the chalk downs, closer to hand. The stones were dressed and fashioned with mortise and tenon joints before 30 were erected as a 33 metres (108 ft) diameter circle of standing stones, with a ring of 30 lintel stones resting on top. The lintels were fitted to one another using another woodworking method, the tongue and groove joint. Each standing stone was around 4.1 metres (13 ft) high, 2.1 metres (6 ft 11 in) wide and weighed around 25 tons. Each had clearly been worked with the final visual effect in mind; the orthostats widen slightly towards the top in order that their perspective remains constant when viewed from the ground, while the lintel stones curve slightly to continue the circular appearance of the earlier monument. The inward-facing surfaces of the stones are smoother and more finely worked than the outer surfaces. The average thickness of the stones is 1.1 metres (3 ft 7 in) and the average distance between them is 1 metre (3 ft 3 in). A total of 75 stones would have been needed to complete the circle (60 stones) and the trilithon horseshoe (15 stones). Unless some of the sarsens have since been removed from the site, the ring appears to have been left incomplete. The lintel stones are each around 3.2 metres (10 ft), 1 metre (3 ft 3 in) wide and 0.8 metres (2 ft 7 in) thick. The tops of the lintels are 4.9 metres (16 ft) above the ground.
Within this circle stood five trilithons of dressed sarsen stone arranged in a horseshoe shape 13.7 metres (45 ft) across with its open end facing north east. These huge stones, ten uprights and five lintels, weigh up to 50 tons each. They were linked using complex jointing. They are arranged symmetrically. The smallest pair of trilithons were around 6 metres (20 ft) tall, the next pair a little higher and the largest, single trilithon in the south west corner would have been 7.3 metres (24 ft) tall. Only one upright from the Great Trilithon still stands, of which 6.7 metres (22 ft) is visible and a further 2.4 metres (7 ft 10 in) is below ground.
      The images of a 'dagger' and 14 'axeheads' have been carved on one of the sarsens, known as stone 53; further carvings of axeheads have been seen on the outer faces of stones 3, 4, and 5. The carvings are difficult to date, but are morphologically similar to late Bronze Age weapons; recent laser scanning work on the carvings supports this interpretation. The pair of trilithons in the north east are smallest, measuring around 6 metres (20 ft) in height; the largest, which is in the south west of the horseshoe, is almost 7.5 metres (25 ft) tall.
       This ambitious phase has been radiocarbon dated to between 2600 and 2400 BC, slightly earlier than the Stonehenge Archer, discovered in the outer ditch of the monument in 1978, and the two sets of burials, known as the Amesbury Archer and the Boscombe Bowmen, discovered 3 miles (4.8 km) to the west. At about the same time, a large timber circle and a second avenue were constructed 2 miles (3.2 km) away at Durrington Walls overlooking the River Avon. The timber circle was orientated towards the rising sun on the midwinter solstice, opposing the solar alignments at Stonehenge, whilst the avenue was aligned with the setting sun on the summer solstice and led from the river to the timber circle. Evidence of huge fires on the banks of the Avon between the two avenues also suggests that both circles were linked, and they were perhaps used as a procession route on the longest and shortest days of the year. Parker Pearson speculates that the wooden circle at Durrington Walls was the centre of a 'land of the living', whilst the stone circle represented a 'land of the dead', with the Avon serving as a journey between the two.

Stonehenge 3 III

      Later in the Bronze Age, although the exact details of activities during this period are still unclear, the bluestones appear to have been re-erected. They were placed within the outer sarsen circle and may have been trimmed in some way. Like the sarsens, a few have timber-working style cuts in them suggesting that, during this phase, they may have been linked with lintels and were part of a larger structure.

Stonehenge 3 IV (2280 BC to 1930 BC)

    This phase saw further rearrangement of the bluestones. They were arranged in a circle between the two rings of sarsens and in an oval at the centre of the inner ring. Some archaeologists argue that some of these bluestones were from a second group brought from Wales. All the stones formed well-spaced uprights without any of the linking lintels inferred in Stonehenge 3 III. The Altar Stone may have been moved within the oval at this time and re-erected vertically. Although this would seem the most impressive phase of work, Stonehenge 3 IV was rather shabbily built compared to its immediate predecessors, as the newly re-installed bluestones were not well-founded and began to fall over. However, only minor changes were made after this phase.

Stonehenge 3 V (1930 BC to 1600 BC)

     Soon afterwards, the north eastern section of the Phase 3 IV bluestone circle was removed, creating a horseshoe-shaped setting (the Bluestone Horseshoe) which mirrored the shape of the central sarsen Trilithons. This phase is contemporary with the Seahenge site in Norfolk.

After the monument (1600 BC on)

      The last known construction at Stonehenge was about 1600 BC (see 'Y and Z Holes'), and the last usage of it was probably during the Iron Age. Roman coins and medieval artefacts have all been found in or around the monument but it is unknown if the monument was in continuous use throughout prehistory and beyond, or exactly how it would have been used. Notable is the massive Iron Age hillfort Vespasian's Camp built alongside the Avenue near the Avon. A decapitated 7th century Saxon man was excavated from Stonehenge in 1923. The site was known to scholars during the Middle Ages and since then it has been studied and adopted by numerous groups.


     Stonehenge was produced by a culture that left no written records. Many aspects of Stonehenge remain subject to debate. This multiplicity of theories, some of them very colourful, are often called the "mystery of Stonehenge".
     There is little or no direct evidence for the construction techniques used by the Stonehenge builders. Over the years, various authors have suggested that supernatural or anachronistic methods were used, usually asserting that the stones were impossible to move otherwise. However, conventional techniques using Neolithic technology have been demonstrably effective at moving and placing stones of a similar size. Proposed functions for the site include usage as an astronomical observatory, or as a religious site.
More recently two major new theories have been proposed. Professor Geoffrey Wainwright OBE, FSA, president of the Society of Antiquaries of London, and Professor Timothy Darvill, OBE of Bournemouth University have suggested that Stonehenge was a place of healing – the primeval equivalent of Lourdes.    They argue that this accounts for the high number of burials in the area and for the evidence of trauma deformity in some of the graves. However they do concede that the site was probably multifunctional and used for ancestor worship as well. Isotope analysis indicates that some of the buried individuals were from other regions. A teenage boy buried approximately 1550 BC was raised near the Mediterranean Sea; a metal worker from 2300 BC dubbed the "Amesbury Archer" grew up near the alpine foothills of Germany; and the "Boscombe Bowmen" probably arrived from Wales or Brittany, France.On the other hand, Professor Mike Parker Pearson of Sheffield University has suggested that Stonehenge was part of a ritual landscape and was joined to Durrington Walls by their corresponding avenues and the River Avon. He suggests that the area around Durrington Walls Henge was a place of the living, whilst Stonehenge was a domain of the dead. A journey along the Avon to reach Stonehenge was part of a ritual passage from life to death, to celebrate past ancestors and the recently deceased. It should be pointed out that both explanations were mooted in the 12th century by Geoffrey of Monmouth (below), who extolled the curative properties of the stones and was also the first to advance the idea that Stonehenge was constructed as a funerary monument. Whatever religious, mystical or spiritual elements were central to Stonehenge, its design includes a celestial observatory function, which might have allowed prediction of eclipse, solstice, equinox and other celestial events important to a contemporary religion




About them...

 Stonehenge
 Colloseum
 The Great wall of China
 Taj Mahal

Medieval World

    In the 19th and early 20th centuries, some writers wrote about lists with names such as Wonders of the Middle Ages, Seven Wonders of the Middle Ages, Seven Wonders of the Medieval Mind, and Architectural Wonders of the Middle Ages. However it is unlikely that these lists originated in the Middle Ages because the word medieval was not invented until the Enlightenment-era, and the concept of a Middle Age did not become popular until the 16th century. Brewer's Dictionary of Phrase and Fable refers to them as "later list[s]" suggesting the lists were created after the Middle Ages.
Many of the structures on these lists were built much earlier than the Medieval Ages, but were well known.
Typically representative are:
Other sites sometimes included on such lists: